Zodiac - Cancer In Progress

Progression for Cancer.

When I first get a description for a piece, I start with sketches and thumbnails. In the case for this zodiac series, I was given a series of keywords and colors. I like working with this kind of very loose guidance for a commission because it leaves me free to come up with my own connections to the concepts. In this case: the crab, water, nurturing, the reflective surface of water (for the colors), focus on the family, protective, sensitive.

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Once I have a basic sketch worked out, and the composition pieced together in Photoshop, I send it off for approval from the art director. When I get the okay, then I start to flesh out the details and correct anatomy with references if needed. In this case the latter required looking up pictures of seagulls, crabs, and lotuses. When I do the first concept sketches I don't worry so much about the accuracy of things like that, wanting instead to capture the flow and mood of a piece.

I picked up a couple of Audubon books for fairly cheap the other day from Costco with great references for all sorts of birds and animals.

Though of course the internet never fails for image references as well.

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Transferred to the final painting surface (Strathmore 500 series illustration board), I refine the details even more. By flipping the image back and forth several times during process, it allows you to get a fresh perspective on the composition and work out any imbalances that might otherwise be overlooked. Working on a piece for too long, everything starts to look right. Flipping also helps for spotting strange anatomy flaws. When working with a symmetrical (or even semi-symmetrical) piece, looking at it in reverse is extremely useful.

All set for painting now. Just awaiting the final okay from the art director!