Mmm...she's done. After a cascading series of distractions throughout the day. Prints, original, and all that Good Stuff, available as usual at Shadowscapes.
The snake got fattened a little bit after observing the anaconda for a bit at Academy of Sciences the other day. Rather happy with how this piece turned out on the whole actually.
I got asked the other day about how I pick colors. The answer - Decision through Indecision.
The long translation: I frequently have only the vaguest of ideas as to a color scheme. For the most part a general equation in my head is for complimentary colors to really make foreground pop from background. Sometimes I have fixed in my head what color I want one particular element to be, and from there a process of gradual elimination determines the rest of the colors.
Example, for this piece, I started with the green/gold background. The cats were also predetermined to be normal cat colors, but an array of different sorts. Black, white, calico, orange tabby, etc. This results in darkening the green distant background trees around them to make them stand out more. It also follows then that if I want to keep the girl as a definitive focus, she would need some color to pop her out from the green - either her hair or her frock, and orange or red would be a real eye-catcher since it would compliment the foresty green tones.
The same follows for the arcing tree branch in front. Orange to really pull it out to the foreground. You'll notice that red/orange is used throughout the piece to focus the viewer's attention and say "Hey this is important!" Kinda the way Nature uses bright colors to signify "Danger!" or "Pick me, I'm the most beautiful (thus strongest and most worthy!" It ends up being fiery tones in this piece because I set the stage for it with the predominantly green background. It's happened sometimes that I get too carried away with backgrounds and vibrant clashing tones in it end up fighting with the foreground with attention, but fortunately this piece doesn't seem to have suffered from that affliction.
Frequently my color choices are not quite so decisive as all of this sounds. I'll start with one color, try something out, decide that I hate it and either scrub it out with lifting, or just painting right on top with an alternate. Hate that, go back to a darker version of first attempt. Hate it all but at that point unable to do anything more about it since it's watercolors and once the colors are down, you really can't change too much. Finish the painting, live with it for a week, and then suddenly I'm not hating it so much. Proximity sometimes just drowns out any objective analysis, and a few days to mellow gives a new perspective.
Friday, March 13, 2009
Old intaglio etchings
Was digging through some piles of paintings to locate one that recently sold and needed to be shipped today. I came across these old intaglio etchings from my college days 12 years ago. The general process involves taking a metal plate that you etch into with a variety of techniques using acid, and scratching, while masking off with asphaltum. When the plate is completed, ink is hand rubbed into the etched areas, a wet paper is placed on top, and the whole is squeezed through a hand-cranked press.
Yeah, the style's quite different from my present work, but that's due in large part to both the medium, and the fact that anything remotely "illustrative" wasn't looked on kindly at Berkeley. I ended up taking several semesters of etching. Finding these makes me miss it, but you really can't do intaglio without a dedicated studio for it. Keeping acid baths and toxic solvents lying around the house isn't really practical or a good idea.
Yeah, the style's quite different from my present work, but that's due in large part to both the medium, and the fact that anything remotely "illustrative" wasn't looked on kindly at Berkeley. I ended up taking several semesters of etching. Finding these makes me miss it, but you really can't do intaglio without a dedicated studio for it. Keeping acid baths and toxic solvents lying around the house isn't really practical or a good idea.
Labels:
finished artwork,
intaglio etching,
medium: mixed,
old stuff
Thursday, March 12, 2009
Living Roof
I braved San Francisco's traffic again to drive to Golden Gate Park. It was one of those rare and perfect days in SF - the kind that tourists are always expecting and hoping for when they come to California, but that the city rarely lives up to (fog and wind usually being the bywords). I dug up my little travel sketchbook to take with me. It's been denied entries for far too long.I think perhaps I need to start a new sketchbook. This one has become too... "precious", to use a word my old Berkeley art professors would have said with a sneer. The original point of the sketchbook was to make impromptu impression drawings, quick, fresh, and on the spot. I think I'm too concerned with making the drawings look good rather than just doing them now. Need to shake things up a bit. Perhaps try with a brush pen next time.
Met up with Horatio at the De Young museum for a quick lunch. He had already seen the Andy Warhol exhibit that morning while waiting for our rendezvouz. The other special exhibit was Yves Saint-Laurent. We decided to head over to the Academy of Sciences and see what that had to offer before deciding which one to spend the afternoon at. I hadn't ever been to the Academy yet, but had been hearing all kinds of fun things about it lately from friends, so my curiosity was piqued. In the end the Academy won out.
We visited the indoor rainforest exhibit, the planetarium, and the aquarium. At one point, the sign to the Living Roof beckoned us, and we followed the stairs up. There was a light breeze, and it was beautifully sunny.The Living Roof is exactly what it sounds like, a carpet of rolling green hills that cap the Academy in poppies and strawberries and wild grasses, tying the environment of Golden Gate Park to the building itself. There is a backdrop of eucalyptus stands shadowing the horizon, and the faraway hint of the city's highrises. Rows of round glass peer down to the inside of the building below, like high-tech fairy windows into a mound.
* * *
Made some more moderate progress on my Queen of Cats painting. Getting to the fun part now: the cats!
I saw an anaconda at the Academy. Took lots of photos for him for reference for the snake in this piece. The anaconda was enormous. Half-submerged under a pool of water, lazily eying the food that had been provided for him (or perhaps he had killed the rabbit himself, I didn't see).
Tuesday, March 10, 2009
Queen of Cats sketch

Phase 2 for this painting. Cover in progress for Fantastical Visions IV, fantasy anthology. That scribbled sketch I had a few entries ago got approved by the art director. So now it's full speed ahead.
It's kind of a collage of concepts from numerous stories in the anthology. A bit of everything thrown into it, and woven together.
Blew it up in size in photoshop, and transferred with tracing paper to Strathmore lightweight illustration board, at 12x18 inches. Then went back with pencil to better define the details and work out any kinks and generally refining the drawing. Cats had to shrink a bit. They wanted to be big and wild. Told them no.
Pulled Creatures of the Night down from my bookshelf and flipped through it for inspiration on capturing that fierce and wild glint a cat's eyes can get. That sinuous feline arrogance evident in the glance, in the prowl, and even in repose. Michael Zulli does it quite well in the first story in that book, The Price.I wanted the girl to have that feral look. She'll have gleaming yellow eyes, like the cats around her. I'm looking forward to painting this, though probably won't have the chance to finish until the weekend. Tomorrow will mostly be taken up because I've got plans to head into San Francisco to go museum hopping with my uncle Horatio (very different sort of artist from me) who's visiting from Portland.
Also. Girl scout cookie time. Samoas. Chocolatey, caramely, coconutness.... Yum.
Labels:
fantastical visions,
sketches
Monday, March 9, 2009
Seeking dryads
Feeling restless again today, so I hopped into my sneakers and set off for a walk across the street into Sausal Creek for a mini-hike. I figured I'd go for the longer circuit, down to the bottom of the gully and along Creek Bed Trail.
It's been raining for about 2 weeks straight. Yesterday and today feel like the first sunny clear days in ages. Just past the stand of unchecked cilantro-gone-wild, there is a newly fallen oak across the path. It's a sad sight. It looks like the same thing that happened to the giant that used to guard the spot directly across the street from my house. Water-logged roots ripping up from the ground to topple the tree down the steep slope.
I straddle the trunk as I climb over it. Pause for a moment from that perch to look up to the freeway on one side, and down to the ivy shrouded creek below. The trunk is completely dry. The mossy covering is soft, made of springy green curls.
Dryads on the mind for the next chapter of the book I'm working on. I wonder what strange melding of cultivated and wild, organic and straight-edged concrete, steel struts and flowing water creature would have spawned in Sausal Creek surrounds.
Eventually I get to the bottom. I realize that my plan was rather short-sighted. A path named "Creek Bed Trail" necessarily means you'll be walking along a creek bed. Which was hidden under about a foot of running water after all the rain. I'm optimistic, and in the new mud I notice many other sets of sneaker footprints. Someone else has been here. Maybe if they were successful....
In the summertime it's barely a trickle. More like a leaky faucet than an actual creek. By comparison to that today, it's about as passable as a whitewater rapid. After hopping precariously around on slippery stones peeking up through the flow and almost toppling in, I have to concede that it's not going to happen, at least, not without some waterproof rubber boots. Reluctantly, I climb back up the way I came. I usually like the variety of a full circle, but I do like my dry shoes even more.
I'm half watching to see if I can catch sight of the condor Dana and I glimpsed the other day, sitting out on a branch not twenty feet off the trail. For all I had ever seen one in the wild prior to then, it might as well be as mythical as dryads, or unicorns (or as my brother's old boss was fond of saying, "the sun, in San Francisco's Sunset District". He did have a point there.... Someone must have felt a tinge of irony when they dubbed it that).
Some more Fantastical Visions IV previews:

It's been raining for about 2 weeks straight. Yesterday and today feel like the first sunny clear days in ages. Just past the stand of unchecked cilantro-gone-wild, there is a newly fallen oak across the path. It's a sad sight. It looks like the same thing that happened to the giant that used to guard the spot directly across the street from my house. Water-logged roots ripping up from the ground to topple the tree down the steep slope.
I straddle the trunk as I climb over it. Pause for a moment from that perch to look up to the freeway on one side, and down to the ivy shrouded creek below. The trunk is completely dry. The mossy covering is soft, made of springy green curls.
Dryads on the mind for the next chapter of the book I'm working on. I wonder what strange melding of cultivated and wild, organic and straight-edged concrete, steel struts and flowing water creature would have spawned in Sausal Creek surrounds.
Eventually I get to the bottom. I realize that my plan was rather short-sighted. A path named "Creek Bed Trail" necessarily means you'll be walking along a creek bed. Which was hidden under about a foot of running water after all the rain. I'm optimistic, and in the new mud I notice many other sets of sneaker footprints. Someone else has been here. Maybe if they were successful....
In the summertime it's barely a trickle. More like a leaky faucet than an actual creek. By comparison to that today, it's about as passable as a whitewater rapid. After hopping precariously around on slippery stones peeking up through the flow and almost toppling in, I have to concede that it's not going to happen, at least, not without some waterproof rubber boots. Reluctantly, I climb back up the way I came. I usually like the variety of a full circle, but I do like my dry shoes even more.
I'm half watching to see if I can catch sight of the condor Dana and I glimpsed the other day, sitting out on a branch not twenty feet off the trail. For all I had ever seen one in the wild prior to then, it might as well be as mythical as dryads, or unicorns (or as my brother's old boss was fond of saying, "the sun, in San Francisco's Sunset District". He did have a point there.... Someone must have felt a tinge of irony when they dubbed it that).
* * *
Speaking of seeking....
I took a fancy to the kodama in Miyazaki's film Princess Mononoke. So I started hunting around for some more legitimate source for the folklore of them, coming up with a big empty nothing, aside from some websites saying it means "echo" or "spirit of the trees".
Vague references to folktales of kodama, but no actual folktales. I even asked Japanese friends and acquaintances if anyone had ever heard of kodama stories, some of them living in and growing up in Japan, but alas nothing at all.
If anyone reading this knows of any tales, feel free to share with me.
* * *
Speaking of seeking....I took a fancy to the kodama in Miyazaki's film Princess Mononoke. So I started hunting around for some more legitimate source for the folklore of them, coming up with a big empty nothing, aside from some websites saying it means "echo" or "spirit of the trees".
Vague references to folktales of kodama, but no actual folktales. I even asked Japanese friends and acquaintances if anyone had ever heard of kodama stories, some of them living in and growing up in Japan, but alas nothing at all.
If anyone reading this knows of any tales, feel free to share with me.
Some more Fantastical Visions IV previews:

Sunday, March 8, 2009
A fish for prosperity
Watching my grandmother in action while bargaining with a shopkeeper is like watching a strange mini one-act play.
Her age is a nebulous floating target somewhere in mid-to-late 70's. She claims to be 78. Sometimes. Some of her children say she is 76. No one seems to be able to nail down when her actual birthday is. Who knows if they're all counting on the same scale even, by the Western or by the Chinese calendar?
She's lived in New York's Chinatown during her entire 40 years in the US, ever since they joined my dad when he came here for college. A queen bee, ensconced in and running her piano store and school, overseeing generations of children come through and learn with varying degrees of success to bang out semblances of salutes to Beethoven and Bach and Chopin.
She doesn't believe in checkbooks, or credit cards.
When she tells me I must never accept a given price for something as set in stone, that I must bargain or else I'm a fool, I nod and accept her advice. But I feel like a fool trying to put her advice into action. As an artist, I know how much work I put into every item, and the difficulty of price assessment. And so when faced with another artisan, to attempt to bargain with them would feel disrespectful and a dishonoring of their craft, their art, their valuation of their time. I could never do that. And when faced with a retailer...well in our culture and world of printed sticker prices and barcode scans, it's mostly just a big don't.
We walk down what she calls in Chinese "gold street". I didn't see any street sign to tell me what its name on maps was. She turns into a corner store with purpose, greets the jewelers heartily behind the counter by name. They return with similar enthusiasm. She has many children and step-children, and a multitude more grandchildren, and this store has supplied her doting habits in the past. But it's more than that. Before she even begins to eye the numerous sparkling glass display cases, she asks after one man's son, another's daughter, both of whom paid their dues at piano lessons at her school.
And then she takes a spot comfortably at one of the seats in front of the cases, as if settling to a familiar bar stool. Her tone is still friendly and conversational, like the salesman were the barkeep and she was asking him for her usual. She keeps up the chatter, telling him how her eldest son and his family is in town visiting from California. She wants to buy me a pair of earrings. They're a small token. Little sparklies. The salesman pulls them out, praises me and tells my grandmother, Excellent choice. Yes, those are definitely the ones. She has to have them, he declares. Look how pretty in her ears. These are the absolute latest fashion. All the young girls are wearing them!
And then she settles to business. The melodrama begins, on both sides. Rapid fire exchange.
I want a good price, she tells him. I'm a good friend to you, you've known me a long time, what can you do?
Of course of course! I would only give you best price, he returns. The best price on this whole street! How's this? He rapidly punches in a series of numbers in his hand calculator, barely even looking as his fingers type automatically. He slides it over to her.
She gasps, hurt indignation in her voice. What?! I thought we were good friends! Is that all 'good friends' mean?
Well, you have known me so long, he hedges. A little lower, here.
She glances at the number, scoffs. That's it?
Ah! I have my family to feed! My daughter! My son! How about... some more arcane numbers get input to the calculator ... this? Lowest I can go. He looks so mournful. I wonder if he might start tearing at his hair.
She purses her lips, sighs sadly. And after all the discounts I gave your children for their lessons. I hear from their teacher your son in particular is progressing quite well these days. He's such a well behaved boy.
Oh yes, a very good boy.
Well?
He moans and grunts and types in a new number, raised eyebrows.
She ponders for a moment, then sadly reaches for her bags. Perhaps my other good friend might....
No no! he stops her, typing in one last number. Lowest I can go, honest truely, would I deceive you? No profit for me with this price, no profit at all.
She knows he is lying still. But with a sixth sense, she knows that this is as far as she can push. She smiles then as their agendas converge.
Like actors whose roles are now done, the intent focus slips off from both of them, and they settle to the mundane task of the actual monetary transaction and writeup of receipts. I feel a strange pride for her after having witnessed the confident demeanor she had possessed, and the utter surety with which the events of the past couple minutes had transpired. Even as I knew I myself would never be caught dead having done what she did, or had the sheer audacity for it either. It's not something that fits into my world. And yet, the jeweler doesn't seem nearly as heartbroken as the previous moments would have led one to believe he must be, and I see again how that actor's mask had quickly been set aside once it came to the sealing of the deal. That was the part that mattered. The rest...was just the path to get there, one way or another, one price or another.
That was several years ago. Perhaps a decade. She's a lot more physically frail now. But I still see her as a queen bee.
I watched her do it again today: she quickly and professionally whittled a price down to its minimum at a jewelery store here. She didn't know this manager, nor have any history with him, as this time it was she who was visiting us in California instead of us in New York on her turf. And so the melodrama during the exchange was at a minumum, due merely to a lack of reference point. But she still had that audacious confidence that I wouldn't be able to emulate. Back and forth the price jumped in staccato Cantonese, and before my brother could even protest that he didn't need a jade necklace, it was slipped around his neck, and the reciept tucked away into our grandmother's purse.
You'll need the luck for your job hunt! she tells him. He is moving back to Sunnyvale with his wife to be closer to family in the coming months, quitting his job for the sake of the move, despite the uncertain job climate. Wear it pressed against your skin. It's a fish. For prosperity.
He gives up on protesting and just thanks her.
Her age is a nebulous floating target somewhere in mid-to-late 70's. She claims to be 78. Sometimes. Some of her children say she is 76. No one seems to be able to nail down when her actual birthday is. Who knows if they're all counting on the same scale even, by the Western or by the Chinese calendar?
She's lived in New York's Chinatown during her entire 40 years in the US, ever since they joined my dad when he came here for college. A queen bee, ensconced in and running her piano store and school, overseeing generations of children come through and learn with varying degrees of success to bang out semblances of salutes to Beethoven and Bach and Chopin.
She doesn't believe in checkbooks, or credit cards.
When she tells me I must never accept a given price for something as set in stone, that I must bargain or else I'm a fool, I nod and accept her advice. But I feel like a fool trying to put her advice into action. As an artist, I know how much work I put into every item, and the difficulty of price assessment. And so when faced with another artisan, to attempt to bargain with them would feel disrespectful and a dishonoring of their craft, their art, their valuation of their time. I could never do that. And when faced with a retailer...well in our culture and world of printed sticker prices and barcode scans, it's mostly just a big don't.
We walk down what she calls in Chinese "gold street". I didn't see any street sign to tell me what its name on maps was. She turns into a corner store with purpose, greets the jewelers heartily behind the counter by name. They return with similar enthusiasm. She has many children and step-children, and a multitude more grandchildren, and this store has supplied her doting habits in the past. But it's more than that. Before she even begins to eye the numerous sparkling glass display cases, she asks after one man's son, another's daughter, both of whom paid their dues at piano lessons at her school.
And then she takes a spot comfortably at one of the seats in front of the cases, as if settling to a familiar bar stool. Her tone is still friendly and conversational, like the salesman were the barkeep and she was asking him for her usual. She keeps up the chatter, telling him how her eldest son and his family is in town visiting from California. She wants to buy me a pair of earrings. They're a small token. Little sparklies. The salesman pulls them out, praises me and tells my grandmother, Excellent choice. Yes, those are definitely the ones. She has to have them, he declares. Look how pretty in her ears. These are the absolute latest fashion. All the young girls are wearing them!
And then she settles to business. The melodrama begins, on both sides. Rapid fire exchange.
I want a good price, she tells him. I'm a good friend to you, you've known me a long time, what can you do?
Of course of course! I would only give you best price, he returns. The best price on this whole street! How's this? He rapidly punches in a series of numbers in his hand calculator, barely even looking as his fingers type automatically. He slides it over to her.
She gasps, hurt indignation in her voice. What?! I thought we were good friends! Is that all 'good friends' mean?
Well, you have known me so long, he hedges. A little lower, here.
She glances at the number, scoffs. That's it?
Ah! I have my family to feed! My daughter! My son! How about... some more arcane numbers get input to the calculator ... this? Lowest I can go. He looks so mournful. I wonder if he might start tearing at his hair.
She purses her lips, sighs sadly. And after all the discounts I gave your children for their lessons. I hear from their teacher your son in particular is progressing quite well these days. He's such a well behaved boy.
Oh yes, a very good boy.
Well?
He moans and grunts and types in a new number, raised eyebrows.
She ponders for a moment, then sadly reaches for her bags. Perhaps my other good friend might....
No no! he stops her, typing in one last number. Lowest I can go, honest truely, would I deceive you? No profit for me with this price, no profit at all.
She knows he is lying still. But with a sixth sense, she knows that this is as far as she can push. She smiles then as their agendas converge.
Like actors whose roles are now done, the intent focus slips off from both of them, and they settle to the mundane task of the actual monetary transaction and writeup of receipts. I feel a strange pride for her after having witnessed the confident demeanor she had possessed, and the utter surety with which the events of the past couple minutes had transpired. Even as I knew I myself would never be caught dead having done what she did, or had the sheer audacity for it either. It's not something that fits into my world. And yet, the jeweler doesn't seem nearly as heartbroken as the previous moments would have led one to believe he must be, and I see again how that actor's mask had quickly been set aside once it came to the sealing of the deal. That was the part that mattered. The rest...was just the path to get there, one way or another, one price or another.
That was several years ago. Perhaps a decade. She's a lot more physically frail now. But I still see her as a queen bee.
I watched her do it again today: she quickly and professionally whittled a price down to its minimum at a jewelery store here. She didn't know this manager, nor have any history with him, as this time it was she who was visiting us in California instead of us in New York on her turf. And so the melodrama during the exchange was at a minumum, due merely to a lack of reference point. But she still had that audacious confidence that I wouldn't be able to emulate. Back and forth the price jumped in staccato Cantonese, and before my brother could even protest that he didn't need a jade necklace, it was slipped around his neck, and the reciept tucked away into our grandmother's purse.
You'll need the luck for your job hunt! she tells him. He is moving back to Sunnyvale with his wife to be closer to family in the coming months, quitting his job for the sake of the move, despite the uncertain job climate. Wear it pressed against your skin. It's a fish. For prosperity.
He gives up on protesting and just thanks her.
Saturday, March 7, 2009
Like a cat in the sunlight
Feeling lethargic most of today. Took a nap. I never nap! Perhaps something to do with crawling into bed last night at 2AM. I turn into a pumpkin if I stay up too late, and then have trouble falling asleep after that, though usually the magic hour is around 3AM.Lounging in the front room, in the big puddle of sunlight that comes streaming through the picture window from morning until early afternoon. I feel like one of the fat stray cats that perpetually wander around the neighborhood. I bet they'd love to be in this spot, especially that particularly pushy grey fellow who is under the delusion that any time I open the front door, for whatever reason, it is an open invitation for him to step inside.
The house is a like an enormous living sundial. Through the various windows I can estimate the time of day by the angles of the shadows thrown across the counter-tops and floor . 10AM when the tentative fingers lay their first warming touch on the bedspread. Noon when the angle shifts from the left side to the right side of the house. 4PM when the front room fades into shadows. Summer when the rays start to burn in bars across my back as I sit at my desk and paint. Living and working in the same place every day, through the seasons gives you a connection with it, lets you feel its breath.
Muddled around some more with my angel figurine. Waiting for the mohair I ordered online to arrive so I can finish her hair. Might be a week or two. Impatience!!! I'll post photos when she's done. I discovered today amidst much swearing and frustration that stitching fabric together directly onto a solid object is not nearly as easy as I initially thought it would be.
After my nap, finally found the energy to do some sketching. Brainstorming session for the cover of Fantasical Visions IV, amidst some further swearing and frustration when the image just was not taking shape under my pencil immediately, the way my mind was telling it to. Sometimes an image just springs forth with little coaxing. Other times ... it can be a bit more elusive. The image that I want to see on the blank page constantly dances away once the pencil touches page, hiding from that tip that's trying to define it. Taunting little twit.
This is the hardest phase of creating a new piece - the first steps and figuring out what to do. Determining the focus of a piece, hashing out the composition, getting a (very) rough idea in my head for the color scheme. At this stage, my sketches are pretty scribbly. The feel of the piece and movement is what I'm concerned with more so than details and rendering. Actually I think I have this piece to blame for my troubles falling asleep last night. My eyes were too busy darting around in my head trying to picture the ideas I had.
After much wrangling, here it is directly from my sketchbook, with some mucking around in photoshop to cut and paste elements around the composition.
Labels:
fantastical visions,
sculpting,
sketches
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